September 14, 2008
Work in Progess - ENCHANTED FOREST - "Owed" to Surrealism created from scrap stained glass, salvaged stainless steel knife handles, ball chain, millefiore, on 1/2" environmental MDF
While trolling through the trash, digging deep in dumpsters and rummaging around in recycle yards, I encounter an amazing array of discarded items. Some are definitely one-of-a-kind, while others are one, or two — or ten — among millions. Stainless steel flatware pieces are among the latter.
Glass, china and tile have always had an allure for me, but in recent years I have developed an affinity for flatware. It comes in such a diversity of shapes, sizes, patterns and finishes that I take true delight in discovering the "new" and finding a few more of the familiar to carry back to my studio. To me, each of these pieces of sturdy stainless steel is a small work of art in and of itself and representative of a certain time and period in our cultural heritage. That's why I love to incorporate them into my work.
I also like they way they feel in my hands when I am cutting, buffing, bending and polishing them — they are smooth, solid and balanced. Metal feels different than glass, tile, stone and china and I like the contrast it brings to my work. I also like to think I am preserving a little something while giving these beautiful and once utilitarian discards new life as I send them dancing through a millefiore forest, tuck them into a snowy china field and suspend them in a misty glass night. And, it's a great way to feed my flatware fetish!