January 20, 2013
BURKE WINE & ART SNOWCASE
What do you get when you combine Wine, Art, Hors D' Oeuvres and Live Music with Local Community and Area Visitors at beautiful Burke Mountain Resort in Vermont's renowned Northeast Kingdom?
You get a very special evening full of good things and great people — and you have an opportunity to support The Burke Area Arts & Cultural Series with the inaugural event!
Please join us for an intimate evening of wine tasting with a knowledgeable sommelier, the chance to view a diversity of art and personally interact with a variety of area artists, dine on delicious hors d' oeuvres, listen to lovely live music — and enjoy each others' company.
Saturday, 26th January, 2013 at 7pm at the Burke Mountain Base Lodge, East Burke, VT.
Tickets, which can be purchased here, are limited!
January 14, 2012
10' TALL SUNFLOWERS TO BE PLANTED AT THE NORRIS COTTON CANCER CARE BOUTIQUE!
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| Rough concept of the final design choice. |
I am delighted to announce that I have begun creating the mosaic mirror for
installation in the new Circle of Care Boutique currently under
construction at the Norris Cotton Cancer Center located on the campus of Northeastern Vermont Regional Hospital in
St. Johnsbury, VT. The
underlying theme and logo involves sunflowers and the mirror needs to
accommodate people of all shapes and sizes, including those in wheel
chairs, within a 46" wide space between two doors. Below are the 4
design options submitted to the board back in October and at left
is the final choice. Materials used will include recycled dishware and
china, tile, mirror, salvaged tempered glass and other bits and baubles
that I can scrounge up. The project, spearheaded by the NVRH Auxilliary will be the only American Cancer Society designated facility in Northern New
England to provide a range of supplies, services and support to cancer
patients during treatment. While construction was delayed somewhat,
everyone is hoping for a Grand Opening on Valentine's Day so I will be
very busy for the next month!
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| The four designs originally submitted to the planning board. Two in consideration of construction plans calling for a 20' tall ceiling and two for a 10' tall ceiling. |
December 13, 2011
TIS THE SEASON — HOLIDAY OPEN STUDIO AND GALLERY SHOWING DEC. 17th & 18th
In the spirit of the season, Studio Fresca will be hosting a Holiday Open Studio & Gallery Showing from 11am until 4pm on both Saturday and Sunday, December 17th & 18th, so stop by for a visit to see the art and meet the artist! The studio will have works in progress and demonstrations of various mosaic techniques while upstairs the Gallery at Heart Winds House will have completed works, prints and cards, and the latest jewelry pieces on display. Enjoy complimentary hot beverages and holiday treats prepared by Chef Dave from Hearty's, which tied for first place winner at the 2011 Chowder Cook-Off Contest at Burke Mountain Resort, will also have hot, homemade soup and fresh bread on the menu if you're looking for something a little "heartier" to eat!
To find us, look for the Studio Fresca signs posted along the road ways, or call ahead at 802-626-5105, or check us out on google places and tweet @heartysvt to find out what the soup of the day is.
Wishing you all the special joys of the season and hope to see you soon!
Labels:
art,
cards,
china,
demonstration,
dishware,
east burke,
gifts,
glass,
heart winds house,
hearty's,
holiday,
jewelry,
mixed-media,
mosaic,
open studio; gallery showing,
recycled,
tile
November 6, 2011
SOME GLASS IS BETTER TEMPERED THAN OTHERS...
Because it is free, facet-nating, versatile and found in so many places I tend to frequent, I use a fair amount of Tempered Glass — or "TG" — in my work. I have mostly used auto glass salvaged from the auto wrecking yards and am familiar with it's wide range of peculiarities and challenges. It comes in a variety of shades of blue, gray, green and occasionally black. It is many different thicknesses and some brands shatter in different patterns than others. Front windshields tend to be tempered AND laminated, which is not generally conducive to mosaic-making, and it's best to avoid windows with metallic automatic defroster filaments embedded in them unless you plan on making them part of the overall "look" of the finished piece. I can tell you from first hand experience, nipping those filaments out of the glass bits is t-i-m-e consuming. Shower doors are not too hard to find and can give a nice effect depending on what type of surface treatment the glass was originally given as a matter of "privacy decor". A few times I've been lucky enough to end up with someone's fabulous old TG plate glass window: they are clear and nearly colorless, usually break cleanly, are all one thickness and almost always have the advantage of NOT being covered in dirt, grease or soap scum.
Because they were there (being there is half the game) and they were colorless (and colorless is not always easy for me to come by) and they were free (my favorite kind) and I thought they would be fun (fun is the other half of the game), I scavenged a few shelves out abandoned refrigerators in the discarded appliance yard at the recycling center. Part of the fun of using tempered glass, if you are fortunate enough to be getting an entire intact piece (like I had just scored with those shelves), rather than scraping it up off the ground or out of the back seats of junked cars, is the act of breaking it. There is something delicious about setting everything up just the way you want it then ceremoniously and oh-so-gently tapping the side of the glass with a hammer and watching it start to crackle and then spread, with a subtly satisfying little sound, from one side to the other until what was once a solid piece of transparent material with a strong specular reflection develops into randomly shaped and sized gem-like bits of pure sparkling goodness.
However, this is NOT what happened with my refrigerator shelves. I tried tapping them gently, then harder, then even harder — then so hard that they flew across the studio floor and landed, intact, under the big work table. I tried wrapping the whole thing up in a towel, putting it on my concrete studio floor and whacking it with a sledge hammer — the hammer bounced! The harder I hit it with the hammer, the harder the hammer bounced. I was flummoxed, I was fascinated...and I was growing frustrated. I climbed on my table and dropped the shelves. Stil wrapped in the towel, they bounced. I climbed onto the counter (a whole foot higher) and threw the shelves. They bounced and skittered, although one lost a sharp sliver of the corner — and it did NOT resemble safety glass. I gave up at that point, set them aside and began working on the parts of the piece pictured above, PERCH ON A BIRCH, that did not involve TG.
A couple of weeks passed (I am, by nature, slow, and it was a tedious piece!) and then I really needed clear, colorless TG in order to finish that little cardinal's snowy realm. So I got out the refrigerator shelves and considered: a.) trying to use my big, wet scary tile saw on them; b.) put them on the concrete garage floor and run over them with the car; and c.) call my husband. But first I wanted to have one more go. I was going to video the awesome bounce of this TG for posterity's sake — who would believe it? And then I was going to double check to make sure the shelves really were composed of TG and not some sort of modern miracle plasti-glass product. To get warmed up, I wrapped one of the shelves in a towel again, put it on the concrete studio floor, grabbed my sledge hammer, stabilized my cell phone, started the little video camera on it and swung half-heartedly. Suddenly, the glass gave way! I could hear and feel it, and sure enough when I opened the towel, it revealed that the fridge shelves had cracked into REALLY tiny, absolutely separate pieces. No clinging clumps or larger bits to be laid onto the mosaic in interesting patterns, just teensy, tiny, nearly microscopic little pieces fit only for tweezers and magnifying glasses.
Labels:
art,
birch tree,
bird,
cardinal,
granite,
mixed media,
mosaic,
pique assiette,
plates,
recycled,
red,
salvaged,
snow,
Studio Fresca,
tempered stained glass,
vermont,
white,
winter
September 29, 2011
FEELING FALL IN A BIG WAY...
Fall is fabulous in Vermont, but all too short so I made a tall tree to celebrate the season. This
piece stands 3' tall and the trunk makes use of the backs (with the
manufacturers stamps) as well as the fronts, of various shades of white,
cream and grey plates. The leaves are hand-cut rounds, to give the
piece a sense of fullness and volume. There are also a few slivers and bits of mirror in the
trunk to give it a bit of twinkle when the light catches it. This panel
was created on hardi-backer board with thinset and specially sealed so
that it can be displayed outdoors in temperatures above freezing — or in a
shower stall — or as a kitchen backsplash.
Labels:
abstract,
art,
artist,
autumn,
birch tree,
black,
ceramic tile,
china,
Fall,
green,
hand-cut,
mosaic,
pique assiette,
plates,
recycled,
red,
salvaged,
Studio Fresca,
vermont,
white
June 22, 2011
WORK BY STUDIO FRESCA SELECTED FOR NATIONAL MOSAIC EXHIBITION
Me with A WILD NIGHT IN THE HUNDERTWASSER WOODS — We'll both be attending the National Mosaic Exhibition in Falmouth, MA on Cape Cod! I'm really pleased and honored to part of the exhibition, which features 55 works by mosaicists from across the US and Canada. The exhibition, held at Highfield Hall, opens on 20th July and closes on 4th September. The opening reception on Friday, 22cnd July features a presentation by the one and only Sonia King. Planned around the exhibit are some great workshops and fun tours offering a multitude of mosaic experiences! For a complete schedule of classes, workshops and activities, or for more info: NMECC and for a closer look at A WILD NIGHT IN THE HUNDERTWASSER WOODSMay 19, 2011
YOU'RE INVITED! OPEN STUDIO WEEKEND MAY 28th & 29th
(Click image to enlarge for easier reading) Vermont has a thing for the arts and one thing we do every year is open our studios up to the public for the annual Vermont State Open Studio Weekend.
I suspect it's partly the fact that we are finally reaching the end of our long winters that has us throwing open our doors and kicking up our heels — just like all those happy cows newly released from their barns in spring — that makes this event so welcome to both the artists and the visitors. I also think it's a peculiarly Vermont thing to be both resolutely independent and contentedly solitary while still maintaining a staunchly strong sentiment for the value of community and a consistent, but really rather inconspicuous, no-fuss, make yourself-right-at-home-we're-glad-to-see-you, warmth of hospitality. This attitudinal lifestyle makes a perfect fit for artisans, craftsmen — and farmers — who you'll find throwing open their doors, and maybe even kicking their heels up a bit, on Open Studio Weekend, Saturday 28th and Sunday, 29th of May throughout the entire state of Vermont.
You can download a booklet and map of the more than 200 artists participating here and consider this a personal invitation from me, to you, to stop by Studio Fresca to say hello, check out the works in progress, try out the tools yourself, enjoy fresh baked goods by Hearty's, hang out on the deck or stroll the paths on 5o lovely acres at Heart Winds House in East Burke, VT. We're definitely planning on kicking OUR heels up all in the name of art, community, visitors and spring and we'd be delighted to have you join us!
Labels:
art,
art sales,
artist,
demonstration,
east burke,
gallery,
heart winds house,
hearty's,
mosaics,
open studio weekend,
Studio Fresca,
vermont
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